There will be instances of incomplete recordings, caused by late arrivals to gigs, recorder and mic malfunctions, and other assorted foibles as would befall any mortal taper.
The trade-off to the prolific taping on Gene's part is that the expectations for a perfect track record would be unrealistic and unfair. As promising as that may seem, it's best to let the surprises hit as they are shared. Some of Gene's handiwork has probably been heard by your very ears before, for the most part via the Stonecutter Archives, but this is the first major unearthing of tapes direct from the legend himself. To paraphrase Lou: This is gonna go on for a while, so we should get used to each other, settle back, pull up your cushions, whatever else you have with you that makes life bearable to kick off the new decade. Here's the latest installment of the Gene Poole Collection, a random wellspring of recordings which have recently surfaced. HUGE thanks to elegymart for sharing this recording on Dime! Good audience recording.Īnalog audience recording (stereo) > Sony TC-WE435 (azimuth adjustment) > Roland R05 (24/96) > Cool Edit Pro 2.0 (audio cleanup, convert to 16/44) > SHNtool (fixed SBE) > CD Wave (track splits) > TLH (WAV > FLAC8).
master tape > Teac V-1050 deck > Audio MOTU HD896 96k-24bit card > Sony Soundforge Pro (plugins: Izotope Mastering Eq + Izotope Denoiser) > CD Wave Editor (for splitting the tracks) > flac 8 The photo comes from the photographer Massimo Rana's wix page that contains a lot of excellent photos from this concert, and he's selling prints: go there and check it. Not only the recording is very good, as it's the complete recording, including Flood II, which as been absent on the more common version, the Rise and Reverberate Vinyl bootleg.
sent me this recording to be posted here, a HUGE Thank You to him for his generosity.
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